Columns
Media: November 2010
BGA Hires John Conroy It’s hard to get work as an investigative journalist in today’s cash-strapped, superficial, blog-driven media environment.
Studiophile: November 2010
Time Of The Season (For Recording) Forgive us while we skip the hypothesizing over what Wilco would sound like without him, is he their George Harrison, and, woe is he, doesn’t the world care enough about John Stirratt?
Gear: November 2010
Apple MacBook Air They refuse to call it a “netbook,” but Apple’s new MacBook Air is a close to a netbook as you can get with a Mac.
File: October 2010
Dave Matthews Bang! When you dump a truckload of shit in the Chicago River, you answer to Samir! Clark Street belched a bummed-out “No way!” late last month when the FBI foiled a plot to kill Dave Matthews Band fans after the September 18th Wrigley Field show.
Hello, My Name Is Kevin
Q&A with Kevin Chalfant IE: You’ve been in a ton of bands over the years. Could you give us the official lineage? Kevin Chalfant: Well I started in Illinois in the late 1970s, went to California in the ’80s through mid-’90s and them came back to Illinois. In Illinois, one group was called The […]
Around Hear: October 2010
Local Band Reviews Algernon‘s intentions of blending hippie grooves with kraut rock, art punk, and avant-garde jazz are certainly admirable, but the results throughout the entirely instrumental Ghost Surveillance are scattered at best.
Digital Divide: October 2010
Iron Man 2 Warner Bros. Iron Man may possibly be one of the best comic-book movies ever made, and its critical and financial success meant that the sequel was as inevitable as the sun rising in the east or Lindsay Lohan doing something stupid.
Caught In A Mosh: October 2010
With The Lights Out Aaron Aites and Audrey Ewell love black metal. More accurately, Aaron Aites and Audrey Ewell are obsessed with black metal. The couple spent significant time at Aquarius Records in San Francisco where friend and co-owner Andee Connors recognized the couple’s bias toward lo-fi music and suggested they check out black metal.
Media: October 2010
Faces For TV: Chicago’s Fabulous Manno Brothers “Growing up, I never thought beyond Q101,” says Kevin Manno, 27, who recently left the WKQX-FM show he co-hosted with older brother Ryan Manno, 29, for the MTV show “The Seven” – a live countdown of the day’s top seven pop-culture stories that debuted September 20th.
Sweet Home: October 2010
Harper’s Calling Traditionally, autumn signals the harvest and what a bountiful crop that the blues has sown. A new Chicago label, Swississippi Records, launched last month and has released an impressive collection of classic blues albums.
Studiophile: October 2010
Not only did Disturbed hire a local producer to monitor proceedings for this summer’s Asylum (Reprise), but they tracked it at a local studio. O.K., so guitarist Dan Donegan isn’t exactly an outside hire (even frontman David Draiman and drummer Mike Wengren get themselves some co-producer credits), but Johnny K.’s GROOVEMASTER STUDIO in Chicago certainly […]
Gear: October 2010
Gibson John Lennon 70th Anniversary J-160E In honor of John Lennon’s 70th birthday in December, Gibson Acoustic announced three limited-edition 70th Anniversary John Lennon J-160E acoustic guitars to celebrate the legacy of the legendary Beatles songwriter/guitarist.
File: September 2010
Throw It to Lucas Leafing through the photo album with even the most casual interest suggests Local H frontman Scott Lucas was once scowling when someone hit him on the back, thus sentencing him to a life term with a frown on his puss. Though his hardened demeanor – great for this fall’s prison fashions […]
Hello, My Name Is Jeff
Q&A with Jeff Daniels IE: Your musical ambitions seem pretty friendly and harmless. Jeff Daniels: I’m not trying to hurt anybody.
Around Hear: September 2010
Local Band Reviews Aevumin (a band with an instantly recognizable moniker but with pronunciation challenges) plays tight and peppy post-punk rock on a seven-track, self-titled CD. Some, like “Cliché,” value frantic power-chords, riffing and lyrics. But the band shines when jamming to groovier, more deliberate midtempo rhythms like on “Lonely Walks Away.”
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