Weekly
Au Revoir Simone preview
Logan Square Auditorium, Chicago Thursday, June 25, 2009 Slow and steady has won the race for Au Revoir Simone. The fragile-looking trio seemed to have signed their own death warrant by holding fast to low-rent synths, individual and group introversion, and waif-y heroin chic. But this spring’s Still Night, Still Light affirms their blueprint.
The Wooden Birds reviewed
Magnolia (Barsuk) Ain’t no party like a dinner party, ‘cuz for a dinnerpartyyouneedaquietCD that don’t stop. Appearing: Saturday, June 20th at Schubas in Chicago.
The Lemonheads reviewed
Varshons (The End) Do di-do-do do-do do-do, di-di di-do-do. What’s that you say Mrs. Robinson . . . Appearing: June 19th and 20th at Double Door in Chicago.
Jason Shannon preview
Double Door, Chicago June 12 – 13, 2009 The singer/songwriter game is rife with hurdles, not the least of which are inattentive audiences. Contrary to Billy Joel’s “Piano Man,” rarely is anyone in the mood for a melody and leave it to pitchers of watered-down lager to keep ’em feelin’ all right.
Passion Pit preview
Empty Bottle, Chicago Sunday, June 14, 2009 You can’t win these days, so don’t even try. Passion Pit’s Michael Angelakos’ career came about accidentally. Dumped by a girlfriend, he turned around and recorded an EP’s worth of songs for her. Deciding they were worth more than this witless dame, he packaged them as Chunk Of […]
The Plastiscines preview
Bottom Lounge, Chicago Monday, June 15th, 2009 The Plastiscines, a Paris-based quartet of female musicians barely out of high school, showed a surprising command of American-style garage rock on their 2008 debut, LP 1., this despite the fact much of the disc was sung in French.
Ha Ha Tonka reviewed
Novel Sounds Of The Nouveau South (Bloodshot) Catfish Haven and Ha Ha Tonka — both horribly named and with local ties — are destroying the notion that Missouri — and its horribly named locales from which the bands take their names — is full of Bud-swilling, Nickelback-blasting, NASCAR mooks. Appearing: Monday, June 15th at Schubas in Chicago.
The Legacy Of 1959
Dave Brubeck Quartet | Miles Davis | Charles Mingus Time Out | Sketches Of Spain | Mingus Ah Um (Columbia/Legacy) For its 2009 thesis, the Legacy reissue arm of Sony Music contends 1959 was jazz’s greatest year. While Miles Davis’ Kind Of Blue would establish that for any jazz novice, the label tosses three other […]
Gogol Bordello live!
Congress Theater, Chicago Sunday, May 31, 2009 Spectacle comes second nature to the New York-by-way-of-Eastern-Europe collective known as Gogol Bordello. Whether it’s mustachioed, red-wine-swigging frontman Eugene Hutz dizzily stalking the stage like a deranged Lord Of The Dance (donning a sequined sombrero no less), violinist Sergey Ryabtsev making a case for landing a part […]
Koko Taylor, 80
Queen Of The Blues dies in Chicago The Chicago Tribune is reporting that blues dynamo Koko Taylor has died at Northwestern Memorial while recovering from surgery on a gastrointestinal bleed after what was believed to be a successful procedure. She was one of the few women in the male-dominated Chicago blues world of the ’60s […]
Yeah Yeah Yeahs live
Aragon, Chicago Tuesday, May 26, 2009 A common concern with success is whether someone gets too big too quickly. In Yeah Yeah Yeahs’ case, they went from a venue the size of the Riviera (where this show was originally booked) to the Aragon in a matter of weeks. No wonder frontwoman Karen O. didn’t know […]
Testament live
House Of Blues, Chicago Friday, May 15, 2009 Contrary to what you’ve heard, a classic, Bay-Area thrash-metal band released one of the finest albums of its career in 2008, marked by a return to form, crisp production, and an ability to capture what made the band great in the first place.
Fall Out Boy do ‘Soundstage’
Soundstage, Chicago Tuesday, May 12, 2009 When Death Cab For Cutie hit PBS’ “Soundstage” program last month, it proved a sensible pairing. Coming out of their time as acclaimed indie darlings, the group has grown into a band that seems practically designed for a sensible setting like “Soundstage,” all traces of college rock replaced by […]
St. Vincent preview
Metro, Chicago Sunday, June 7, 2009 The first time IE came across St. Vincent (Annie Clark), she was by herself opening for John Vanderslice. Armed with a guitar and laptop, she came across as if she could have been the twee-est possible member of the old Grand Royal Records, Luscious Jackson’s introverted-bordering-on-autistic stepsister.
Apostle Of Hustle preview
Empty Bottle, Chicago Sunday, June 7, 2009 Broken Social Scene’s Andrew Whiteman’s surname creates no expectations and thereby gives him total freedom to work in ethnic textures. Despite the damage he could do, however, the Whiteman wisely sticks to what he knows on the new Eats Darkness (Arts & Crafts). Though highly skilled, his tastes […]
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