Around Hear
Around Hear: March 2010
Local Band Reviews Hailing from Chicago, blues trio The Black Oil Brothers‘ sound is 100-percent pure Mississippi. The band’s debut, Long Way From The Delta, actually sounds like it was recorded right in the heart of it, with soul-stirring blues from start to finish.
Around Hear: February 2010
Local Band Reviews “Break Little Branches,” one of the five tracks on Arboreal by the Chicago/Austin, Texas-based band Box Of Baby Birds, sounds like one of the more introspective and meandering songs by Red Red Meat. The folk-rock offerings, penned by Gary Calhoun James, are delicate compositions that rely on hushed vocals augmented by guitar, […]
Around Hear: January 2010
Local Band Reviews January 2010 There’s a lot to like in the mostly straightforward, rockin’ R&B-esque boogie a la Aerosmith/Bad Company on Blue Moon Revue‘s self-titled, eight-song CD. But when opener “Hot Flavor” launches into a totally unexpected banjo solo you really take notice and understand why BMR has become the local, opening-band-of-choice for much […]
Around Hear: December 2009
Local Band Reviews! The Additives Should It End, the second release from The Additives, offers inventive keyboard and guitar arrangements that fall somewhere between prog rock and jazz. Unfortunately, Joe Ryan’s talky, off-kilter singing doesn’t go with the flow, especially on some of the more awkwardly phrased lyrics he’s written. Having background vocals on the […]
Around Hear: November 2009
Local Band Reviews The six tracks on Abysmal Lullabies from Arctic Sleep (a one-man show written, performed, and produced by Keith D) deliver what the title promises: sludgy, bottom-heavy alt-rock that is heavy on fuzzed-out riffage. The mostly instrumental tracks are lengthy and languid, pausing often to let the distortion ring out like a crashing […]
Around Hear: October 2009
Local Band Reviews Add American Draft to Chicago’s instrumental rock pedigree. The band’s second full-length release, the eight-track Hawk On Coachhouse, is like a less frenetic Mastodon minus the vocals. The title track showcases its multi-layered guitar attack, with variations on a soaring/airy riff. Harder-rocking tracks like “Diet Of Worms” and “Tree Of Woe” are […]
Around Hear: September 2009
Around Hear Local Band Reviews September 2009 Though the title, Jam Tarts In The Jakehouse (Carrot Top), is a bit odd, it’s also an obtuse description of the 10 tunes on The Bitter Tears‘ sophomore release. The band’s music, while not entirely random, is all over the place: e.g., the straightforward indie pop of “Bachelors […]
Around Hear: August 2009
Alan Bailey evokes theatrical productions with the ambitious keyboard and string arrangements on Can’t Let Go. The forced wackiness of “To The Breaking Point” gets annoying, but Bailey entertains with fluid piano playing and inviting melodies on “(Don’t) Get Your Hopes Up” and “Release.” On the simple but charming “I’m Off To Bed,” Bailey sounds […]
Around Hear: July 2009
Local Band Reviews Lubriphonic Lock five skilled blues musicians from the heart of Chicago in a room and ask them to jam for a couple of hours, and what do you get? Hopefully an all-out blues-soul-funk experience — and in the case of Chicago newcomers Lubriphonic, that’s exactly what’s delivered. The quintet lets all its […]
Yeah Yeah Yeahs live
Aragon, Chicago Tuesday, May 26, 2009 A common concern with success is whether someone gets too big too quickly. In Yeah Yeah Yeahs’ case, they went from a venue the size of the Riviera (where this show was originally booked) to the Aragon in a matter of weeks. No wonder frontwoman Karen O. didn’t know […]
Around Hear: June 2009
Beaujolais‘ Love At Thirty (Parasol) revolves around divorce, with melancholy tracks like “Nightmare In A Healthy Brain” and “Please Don’t Let This Be True” over-sharing Joe Ziemba’s (The Like Young, Wolfie) dark emotions.
Around Hear: May 2009
Around Hear “This fucker sounds just like Tom Waits. Do we need another Tom Waits?” Matt Arbogast, a.k.a. The Gunshy, asks on I Gave Too Much Time To The Wine‘s title track. It’s a fair self-critique, but, as he also points out, “Dylan was Woody” and “there’s a hundred Pogues.” Too Much Time comprises new […]
Around Hear May 2009 (2)
continued Dave Ero is an imaginative musician who employs vaudeville, Latin, blues, pop, and folk to back the offbeat songs on Nuns With Guns. But much of his work is undone by forced rhymes, awkward phrasing, and the misguided belief that cheesy vocals are always hysterical. It would be interesting to hear Ero when he […]
Local Record Reviews
Conveniens is a drum-and-keyboard duo that worked in the 1980s and is currently reissuing its catalog. Clear was its third and final album and is filled with Conveniens’ trademark new age/space/jazz vibe. Funny thing is, the stranger the group gets, the more interesting it is. This is not pop music by any means, but is […]
Around Hear Pg. 2
Frontman Dewey Dunlap has that perfect, smoky, lazy voice for The Dunlaps‘ dusty alt-country, and he lays down some nifty licks on songs like “Get Quicker,” but is there room in Chicago for more insurgent country? Of course. On its debut, Here Come The Dunlaps . . . , the group gets bogged down in […]
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