Live Review: Zebra at Arcada Theatre
Zebra
The Arcada Theatre, St. Charles, IL
Friday, August 31, 2018
Review by Jeff Elbel
Photos by Luciano J. Bilotti
The Arcada Theatre in St. Charles continues to reinforce its reputation as an essential musical hub in the greater Chicago area. On Friday, the Arcada welcomed â80s hitmakers and New Orleans hard rockers Zebra for a rare visit. âItâs only our third time to Chicago ever,â said bassist Felix Hanemann while welcoming the crowd.
Zebraâs touring presence may be limited, but there was no evidence of rust during the dazzling two-and-a-half-hour show. Hanemann, drummer Guy Gelso, and guitarist/singer Randy Jackson performed a tightly-paced set of songs drawn from four studio albums including the bandâs gold-selling 1983 debut. Jacksonâs stratospheric falsetto took a few songs to warm up to the level of his exacting fretwork, faltering just a bit at the peaks of âWait Until the Summerâs Gone.â Long before the band tore into âTell Me What You Want,â however, the 63-year-old singer sounded ageless.
Upon spotting some youthful faces amongst middle-aged fans that grew up alongside Zebra, Jackson reflected. âSome of yâall were not even born when the fourth Zebra album came out,â he said, referring to 2003âs Zebra IV. âNonetheless, itâs our latest and greatest.â The trio launched the intricate âArabian Nightsâ with Hanemann doubling on bass and keyboards simultaneously, using his toes to trigger a floorboard unit. The song revealed the influence of rock classics like Led Zeppelinâs âKashmir.â
Jackson recalled the bandâs first stop in Chicago, an auspicious start at Soldier Field opening for Sammy Hagar. Soon afterward, the band tipped its hat as Hanemann took lead vocal for a cover of Montroseâs lusty âRock Candyâ â a song the band pulled from early set lists circa 1975 in New Orleans nightclubs.
Zebra played the bulk of its 1983 debut, with a glorious version of âWhoâs Behind the Doorâ featuring Jackson on 12-string acoustic guitar. âThe La La Songâ showcased rich, three-part vocal harmony. The song also served to spotlight powerhouse drummer Gelso, who reveled in the raucous crowd response to his cartwheeling solo. âHe keeps getting better, year after year,â said Jackson in praise of his bandmate.
The title track to 1984âs No Telling Lies was a highlight, with its complex twists and Jacksonâs two-ton riff. The trio masterfully spun through the songâs time-jumping turns, as Jacksonâs keening voice soared atop the mix. Audience favorite âBearsâ suffered from tuning trouble, but the band quickly recovered for the high-octane romance of âOne More Chanceâ and emotional rollercoaster of âTake Your Fingers from My Hair.â
The band encored with a heavyweight, eight-song set of Led Zeppelin material, giving fans a survey of Zebraâs musical roots with favorites including âRock and Rollâ and deeper cuts like âThe Rover.â Gelso anchored the heavy swing of âThe Ocean.â Jackson dug hard into the riff of âHeartbreaker.â Hanemannâs bass fueled the grim gallop of âImmigrant Song.â
âWe used to play this song in 1975 during the last set, at about four in the morning at a club called Old Man Riverâs,â said Jackson. âIf you remember it, you werenât there,â added Hanemann, joking with a fan before gliding into the bass line for âWhat Is and What Should Never Be.â The band closed with an epic run through the aforementioned âKashmir,â saying the night had been great fun, and suggesting it would be worth a return visit someday.
Category: Live Reviews













