Live: Cyndi Lauper
Cyndi Lauper
Chicago Theatre, 11/01/13
Long before Lady Gaga was wearing dresses made of raw meat and Ke$ha was dropping glitter bombs, Cyndi Lauper was the eccentric pop star with thriftshop outfits, hair that continuously changed colors, and outrageously hooky songs that also possessed underlying substance. Believe it or not, itâs been 30 years since her LP, Sheâs So Unusual shook up MTV viewers and pop radio listeners, selling 16 million albums, attracting a Grammy for âBest New Artistâ and crowning the singer/songwriter the first female in music history to score four top 10 hits on a debut.
To celebrate the landmark anniversary, the age-defying 60-year-old singer/songwriter took to the always magnificent Chicago Theatre to play the project from front to back. And even if she didnât dig out the bright ruffled dress, dozens of bracelets, those famous fishnets and red high heels from the album cover, she still sported a red head of hair and tight black pants with slits on both sides, while making a pretty convincing case she wasnât just some short-lived gimmick, but an actual artist whose songs have survived much longer than detractors wouldâve predicted.
All anyone had to do was witness the front half of the commemorative set, which practically read like a greatest hits highlight reel. The explosive âMoney Changes Everythingâ immediately solidified Lauperâs ability to rock, and before fans could catch their breath, she dove right into âGirls Just Want To Have Funâ in all its celebratory glory (though she did some huffing to reach the highest notes on both). A vibrant cover of Princeâs âWhen You Were Mineâ kept the pendulum swinging towards the party, and while âTime After Timeâ took a contemplative turn, it also had no trouble transcending generations as well.
The second side of the album also started strong thanks to the naughty rocker âShe Bopâ (apparently recorded shirtless, as she shared during one of her many colorful, albeit digression-filled storytelling segments) and the moving monster ballad âAll Through The Nightâ (enhanced by a spinning disco ball). However, the conclusion of the Sheâs So Unusual set tapered in comparison with the less successful reggae throwback âWitness,â the somewhat dated synth-popper âIâll Kiss Youâ and the out of place ukulele interlude âHeâs So Unusual.â Thankfully, âYeah Yeahâ did a better job perking up the crowd with its B-52âs-like quirkiness and the promise Lauper and her limber band would be back for an encore.
The grab bag that followed kicked off with the guilty pleasure goodness of âThe Goonies âRâ Good Enough,â alongside latter era material like a clubbed up version of âSex Is In The Heelâ (from her recent Tony Award-winning musical âKinky Bootsâ) and the overlooked contemporary rocker âShine,â two of the nightâs strongest vocal strides. A cover of Etta Jamesâ âAt Lastâ (off her standards collection of the same name) was certainly respectable, although it could never hold a candle to the original, while an early seasonal snippet of âFeels Like Christmasâ couldâve easily been traded for top ten hits like âChange Of Heartâ or âI Drove All Night.â At least Lauper made sure to turn in âTrue Colors,â her signature song turned all around human rights anthem that was sparsely reframed around merely her lap guitar and a keyboard. Put it all together, and thirty years down the line Lauper still isnât afraid to express herself in pretty much any way she pleases, while continuing to connect with those who fell in love with her left of center authenticity in the first place.
-Review and photo by Andy Argyrakis
Category: Featured, Live Reviews, Weekly