Chicago Drive-In
Pavement Entertainment

The Cool Kids interview

| February 29, 2008 | 0 Comments

The Cool Kids
’88 And Beyond

cool kids

Within a year of introducing themselves on Myspace, The Cool Kids have become the most talked-about Chicago hip-hop group without a presence on retail shelves. Only in January did this duo, which comprises Chuck Inglish and Mikey Rocks, officially put a single up for sale on the Internet. That song, the bottom-heavy ode to BMX bikes “Black Mags,” not only spawned a superbly shot black-and-white video, but it was performed by The Cool Kids on a heavily-aired Rhapsody commercial also featuring popular singer-songwriter Sara Bareilles.

As of press time, their Chocolate Industries-backed debut EP, The Bake Sale, has yet to be released, even though it was originally supposed to drop in January. And this EP mostly consists of songs already available for streaming on their Myspace page. As for their full-length album, that won’t be out until possibly later this year. For Chuck Inglish, the Detroit native who first started working with Matteson-bred Mikey in late ’05 after meeting the rhymer online, there’s no real hurry to get a physical product out.

“I don’t feel like we’re behind,” Inglish says of the group’s lack of an album. “I just wanted to be the group that built the buzz — not some commercial buzz, but have people really want the music instead of how people have been buzzing about artists now by just being told about ’em. People really wanna hear what we have and that’s what I wanna give to ’em.”

Opening for genre-smashing British act M.I.A. last fall played a huge factor in the buzz. “What it did was amazing,” says Inglish. But building a fanbase online came first. With close to 3 million total plays already, The Cool Kids are essentially platinum on the ‘Net. As Inglish says of Myspace, “It’s basically what jumped things off. If it wasn’t for that then we probably wouldn’t have anything.”

The song that sparked everything in the spring of 2007 was “88,” a Rick Rubin-sounding throwback to the most renowned year in hip-hop. But it’s not just an anthem about the music of that era — it’s about the fashion, the slang, and dances. The simple chorus says it best: “Do the Smurf, do the Wop, Baseball Bat/Rooftop like I’m bringing ’88 back.”

A lot of love came streaming in online for The Cool Kids following the posting of “88,” but so did the hate, as message boards devolved into flame-fests calling Inglish and Mikey out for their colorful “hipster” gear and for using hip-hop’s past as a gimmick.

While Inglish is a few years older than Mikey, the fact is The Cool Kids were both very young when the golden era was in effect. Inglish is especially defensive about those who question his familiarity with the history of hip-hop even if he was a toddler during those days.

“Let’s just say you’re a baby and you’re born into a culture or you’re born into a language — your mind is adjusted to that,” Inglish explains of his exposure to hip-hop. “You don’t have to go back and do homework on it. This is what you knew. These were the first things you knew. Those are the first sounds you heard. So as a baby, my parents weren’t singing lullabies — I was listening to records. I was down in the basement on the floor playing toys listening to [my dad’s] records. All the imagery, all of the sounds — I’m conditioned. That’s what I gravitate towards.”

Inglish specifically favors the complex simplicity of Special Ed’s defining single “I Got It Made” and the imagery of Eric B & Rakim videos like “Paid In Full.” The goal for The Cool Kids, though, is not to be just a throwback. Inglish and Mikey want to sustain the fun from those days.

“It gives you that sense of comfort and it evokes a feeling and that’s what music’s supposed to do,” Inglish says. “You don’t wanna be a band that has music that people just listen to — you wanna evoke something and that’s what we’re doing now.”

While The Cool Kids’ sound has often recalled the thump of the 808-type drum machines, their production setup — consisting of Propellerhead’s CPU software Reason — allows for much expansion. And if one of their most recent tracks, “Action Figures,” is any indication of the direction they’re headed, The Cool Kids are already on a whole new wavelength. The upcoming single is the group’s most lively cut to date, accented by dramatic synths and punchy drums. Moreover, the theme of examining the cycle of gang culture here is definitely something new for the duo.

As The Cool Kids await the release of their EP, they plan to stay busy on tour connecting with fans and by making tracks. In fact, the day after this interview with IE, Inglish and Mikey will have landed in Europe for their first overseas tour. Inglish remains confident about the impact of his group, though he makes no promises about what future moves like this tour will do for the group’s success.

“Everybody’s waiting for us to get there [in Europe and Australia], so we’ll see what the effects are when we land there,” says Inglish.

No doubt loyalties will be born and tested, but one thing remains certain: No matter the currency, The Cool Kids won’t be bought. Because for now they can’t.

— Max Herman

Category: Features, Monthly

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