Spins
Dark Romantics reviewed
The Dark Romantics Some Midnight Kissin’ (Lujo) It’s tough to be a stylish rock band and maintain any sort of interesting edge, a problem confronting Some Midnight Kissin’.
For All You Lovers . . .
Various Artists Casey Kasem Presents: The Long Distance Dedications (Top Sail/Universal) This Valentine’s collection is so awesome, it almost doesn’t know what to do with itself.
The Bluetones Reviewed
The Bluetones The Bluetones (Cooking Vinyl) One of Rush’s more underrated albums — a sentence opener equivalent to “Hi, kick my ass” — was 1993’s Counterparts, which kept the prog under quasi-Talibanic repression and recast themselves as a pop rock band.
Sneakers Reviewed
Sneakers Nonsequitur Of Silence (Collector’s Choice) Pre dB’s incarnation Sneakers finds Chris Stamey, Mitch Easter, and Will Rigby fooling around as Sneakers.
Kristin Hersh reviewed
Kristin Hersh Learn To Sing Like A Star (Yep Roc) Where do broken voices go? Can they find the way home?
Rich Schroder reviewed
Rich Schroder Your Kind Words (Anova) Something about Rich Schroder’s Your Kind Words needs fixing. More color maybe? Lyrically he’s, if not an ace, then above average (such exalted praise, sorry). But he’s playing the wrong style of music. Except for the goofy “(Sorry That I’m Not) The Home Depot Type,” where he details domestic […]
Glenn Jones reviewed
Glenn Jones Against Which The Sea Continually Beats (Strange Attractors) A recurring theme throughout Glenn Jones’ life is acoustic-guitar architect John Fahey, who reigns supreme on Against Which The Sea Continually Beats.
She’s Spanish, I’m American Reviewed
She’s Spanish, I’m American She’s Spanish, I’m American (Bedroom Classics) Stupid moniker in tow, Josh Rouse’s side project drags bilingual girlfriend Paz Suay into a lite rock splash befitting its lighthearted title.
The Early Years Reviewed
The Early Years The Early Years (Beggars Banquet) With a built-in title for a debut album, the name of this London-based trio could reference a number of things: 1) a preemptive apology for soft spots in their songs, 2) a reference to what the band members were listening to at formative ages, or 3) a […]
The Photo Atlas Reviewed
The Photo Atlas No, Not Me, Never (Stolen Transmission/Morning After) There’s a lot of apologizing going on around The Photo Atlas’ debut. First, you didn’t know about it ’til now because it was cultivated in a cultural vacuum called Denver. Secondly, yeah, it’s dance punk, but you can actually dance to it.
2 Bit Pie Reviewed
2 Bit Pie 2 Pie Island (One Little Indian) Masterminded by Fluke’s Mike Bryant and Jon Fugler and producer Andy Gray, 2 Bit Pie give the No Limit crew a run for their guest-spot money on this techno debut.
Hella Weird
Hella There’s No 666 In Outer Space (Ipecac) Time is not a factor for Sacramento duo-now-quintet Hella. There’s No 666 In Outer Space has an hour to state its case, but still machine-guns as many notes, time signatures, and beats as humanly possible.
Rafter reviewed
Rafter Music For Total Chickens (Asthmatic Kitty) The cover image for this album appears to be a chicken egg exploding in mid-air, an adequate description of how your head will feel upon listening to it.
Jeff Tuohy reviewed
Jeff Tuohy Breaking Down The Silence (self-released) This New York-based singer-songwriter dodges the sort of vacant hipster tags that plague his Big Apple contemporaries, rising out of the frat-rock scene. Appearing: January 27th at Joe’s in Chicago.
Urban Legend reviewed
Urban Legend Of Old Lost Days (Contraphonic) Seizing upon the recent, albeit minor success of The Thermals, Contraphonic releases some demos to illustrate what could have been for Sub Pop’s resident malcontents.
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