Live Review: Garth Brooks at Joe’s on Weed Street
Garth Brooks
Joeâs Bar, Chicago
Monday, July 15, 2019
As the best-selling solo artist of all-time in America, it was far from expected that Garth Brooks would step down from filling stadiums to play for less than 500 people in a spot as intimate as Joeâs Bar on Weed Street. But considering the man who moved more units than Elvis Presley, Michael Jackson and Madonna on these shores just dropped a surprise duet with Blake Shelton called âDive Barâ (as a precursor to the full-length album Fun), it only made sense for him to visit those types of venue roots on opening night of this titular tour (with another half-dozen to be mysteriously announced on the fly).
Brooks clearly loves Chicago because this is the second time heâs kicked off a significant undertaking in town, and while the magnitude wasnât quite as momentous as when he came out of retirement following 13 years with a whopping 11 Allstate Arena sellouts, this once-in-a-lifetime gig was arguably more memorable. For starters, it was filled with his most die-hard fans who won tickets from either US*99 or Big 95.5 (with another line of less lucky hopefuls forming across the street), plus it completely turned the Country Music Hall of Famerâs typically massive concert formula upside down.
To those who scored the exclusive privilege to step inside the miniscule-by-comparison club for around 100 minutes, it was one surely for the history books, not only for the fact that Brooks and his longstanding band were close enough to touch, but also because it was beamed globally as part of a Jimmy Kimmel Live! airing later in the evening. âTwo Of A Kind, Workinâ On A Full Houseâ got everyone nice and loose prior to the inaugural live appearance of âDive Barâ (performed twice to be totally TV-ready), which after being officially released earlier in the day, already had faithful singing along and rejoicing over Brooksâ partnership with Seagramâs 7 Crown (who are currently pushing an initiative to #JoinThePact where pledgers commit to never driving impaired).
However, even that sure-to-be-a-smash with a socially-responsible angle couldnât hold a candle to âFriends In Low Places,â a career cornerstone that was shockingly inserted in the third slot and a sign of the setâs unconventional format. Sure, Brooks and company kept the kicking up loads of dust with crowd-revving regulars such as âTwo Pina Coladas,â âThe Danceâ and âCallinâ Baton Rouge,â but intermixed direct and extremely unexpected requests from attendees, including the obscure âThe Red Strokesâ and âAll-American Kid.â
In a solo acoustic segment, the headliner namechecked everyone from Merle Haggard to George Jones, Randy Travis and the Nitty Gritty Dirt Band as he covered slices of their songs with a deep reverence, then demonstrated why heâs worthy of mention alongside them all (though heâd be too humble to admit it) thanks to the additional classics âRodeo,â âAinât Goinâ Down (âTil The Sun Comes Up),â âThe Thunder Rolls,â âShamelessâ and âStanding Outside The Fire.â For the grand finale ballad âThe River,â Brooks was beaming as he crooned lines like âI will sail my vessel/’til the river runs dryâ with the hunger of his honky-tonk beginnings and a sense of sheer joy to be on a stage of any size that rarely befits a superstar of his status.
-Review by Andy Argyrakis, Photo courtesy of 8 Ten, Inc.
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