Live Review & Photo Gallery: Mark Knopfler
Chicago Theatre, Chicago
Friday, October 2, 2015
To the cavalier onlooker, Mark Knopfler is forever linked to his time leading Dire Straits, but those willing to scratch beyond the surface will quickly discover a prolific solo career, alongside additional album collaborations with Chet Atkins and Emmylou Harris. Add his production work for Bob Dylan, Tina Turner and Randy Newman, plus a slew of soundtracks from Local Hero to The Princess Bride, and the singer/songwriter/guitarist is unquestionably gifted beyond words, if not a bit underrated.
Granted, those in the know have stuck right by the 66-year-old through this yearâs Tracker album and tour, as evidenced by yet another Chicago Theatre sell out, but after witnessing two hours of feverish fret work, itâs safe to suggest Knopflerâs been sold short of his bonafide guitar god status. Though he and a seven piece band came out swinging with the steamrolling âBroken Bonesâ and the Celtic meets southern stomper âCorned Beef City,â the veteran was relatively reserved when it came to showboating and grandstanding, simply offering a sly smile or slight step beside the microphone to riff with a band member.
No, the Knopfler of 2015 isnât quite the same guy who bounced around in 1985’s âWalk Of Lifeâ video, but he appeared more self-assured and genuinely satisfied without having to care about commercial performance. In fact, much of what heâs dropped in between adapted a more stripped down, roots rock/folk approach, and even if recent offerings like âPrivateering,â âSkydiverâ and âHaul Awayâ were slower, more methodical and less magnetic on stage than say the standing ovation-earning Straits standard âSultans Of Swing,â no one can fault the troubadour for following his more mature muse.
Perhaps thatâs why individual material exponentially outweighed past band crests, although Knopfler did oblige with the distant past on a few occasions, taking an older, wiser and more cautious approach to love on âRomeo And Julietâ (with just three supporting players) and dusting off the sax gem âOn Every Streetâ (for only the second time in 23 years). The decision to dig deep also meant no time for âMoney For Nothingâ (sure to have stuck out as sorely as the catchphrase âI Want My MTVâ would in todayâs internet age), though at least âSo Far Awayâ was offered as a more musically appropriate bridge between both eras.
Other back-half highlights included âMarbletown,â which found Knoplfer and the entire band gradually building towards a good old fashioned hootenanny, while âGoing Homeâ closed out the night with so much cinematic grandeur fans refused to leave. In fact, cheers for a second encore were ample enough for the lights to stay dimmed as the headliner probably considered it, and in spite of no return, chances are faithful left with an even more esteemed opinion of this somewhat under the radar solo secret they proudly knew all along.
-Review and marquee photo by Andy Argyrakis (additional photos by Jeff Elbel)
Category: Featured, IE Photo Gallery, Live Reviews, Stage Buzz
Great show, really a treat. The 9 other musicians were also absolutely fantastic. See these guys if you can.