Lovers Lane
Long Live Vinyl

RSSSpins

Edie Sedgwick CD Review

Edie Sedgwick CD Review

| March 29, 2006 | 0 Comments

Edie Sedgwick Her Love Is Real . . . But She Is Not (DeSoto) Drag queen Edie Sedgwick looks nothing like the tragic, New York tart whose name he/she takes, and sounds even less like anything else.

Continue Reading

The Soda Pop Kids CD Review

The Soda Pop Kids CD Review

| March 29, 2006 | 0 Comments

The Soda Pop Kids Write Home (Full Breach Kicks) Chicago label’s latest offering is a relocated Portland-via-Denver proto punk incarnate. And you thought they only made this stuff in L.A. nowadays.

Continue Reading

The Spirit That Guides Us CD Review

The Spirit That Guides Us CD Review

| March 29, 2006 | 0 Comments

The Spirit That Guides Us North And South (Goodfellow) Is the world ready for a Dutch, nu-emo/indie rock hybrid? The Spirit That Guides Us deeply hope they’re them.

Continue Reading

Forever Young

Forever Young

| March 29, 2006 | 0 Comments

Young People All At Once (Too Pure) Young People’s Too Pure debut is not only an assault on the disposable disco punk culture growing stale in New York, but also one on patience.

Continue Reading

Mr. Gnome CD Review

Mr. Gnome CD Review

| March 29, 2006 | 0 Comments

Mr. Gnome Echoes On The Ground (Mr. Gnome) Cleveland rocks, albeit angrily and vindictively.

Continue Reading

Nearly CD Review

Nearly CD Review

| March 29, 2006 | 0 Comments

Nearly Reminder (Kufala) Frequent Trent Reznor accomplice Jerome Dillon shows up as Nearly, a less-industrial but still synth-friendly mood monger with guests including Claudia Sarne and Greg Dulli.

Continue Reading

Crazy Horse

Crazy Horse

| March 29, 2006 | 0 Comments

They Shoot Horses Don’t They Boo Hoo Hoo Boo (Kill Rock Stars) We all get weird; it’s the duration of those episodes that defines being mad as hatters.

Continue Reading

Edguy CD Review

Edguy CD Review

| March 29, 2006 | 0 Comments

Edguy Rocket Ride (Nuclear Blast) German metal band writes the best rock anthem of the year (Decade? Century?) on an otherwise so-so record.

Continue Reading

Against The Wind

Against The Wind

| March 22, 2006 | 0 Comments

Kid Rock ‘Live’ Trucker (Atlantic) Kid Rock will always be a waste of my time, but this is the album he was meant to make.

Continue Reading

His & Hearse

His & Hearse

| March 22, 2006 | 0 Comments

Roseanne Cash Black Cadillac (Capitol) As the title suggests, death haunts Roseanne Cash’s 10th album, particularly in the spirits of her mother, stepmom June Carter, and father, Johnny, whose voice kicks things off.

Continue Reading

Fountain Of Youth

Fountain Of Youth

| March 22, 2006 | 0 Comments

Sonic Youth Reissues (Geffen) The final installment of Geffen’s Sonic Youth re-release campaign lends an expanded, self-titled debut, the cryptic Whitey Album (under the pseudonym Ciccone Youth), and Thurston Moore’s lone solo effort, Psychic Hearts.

Continue Reading

Band Of Gold

Band Of Gold

| March 22, 2006 | 0 Comments

Mates Of State Bring It Back (Barsuk) That Mates Of State ever made more than one album, much less escaped almost certain novelty fate, has been a minor miracle. That they’ve turned it around into something as wonderful as Bring It Back is something else.

Continue Reading

Volkswagon’s Herbie

Volkswagon’s Herbie

| March 22, 2006 | 0 Comments

Herbie Hancock Possibilities (Hear) On this star-studded effort (Sting, John Mayer, Christina Aguilera, Damien Rice), erstwhile jazzman Herbie Hancock tries to stretch his marketing bounds and relevance.

Continue Reading

Oxbow The Letter

Oxbow The Letter

| March 22, 2006 | 0 Comments

Oxbow Love That’s Last: A Wholly Hypnographic & Disturbing Work (Hydra Head) In their prime, Oxbow were something of a disturbing San Francisco band that may have had something to do with The Jesus Lizard, or maybe the other way around.

Continue Reading

Fahey Or Not Fahey?

Fahey Or Not Fahey?

| March 22, 2006 | 0 Comments

John Fahey & Friends Tribute (Slackertone) In the five years since John Fahey died, posthumous reissues and albums have more or less consistently cast him as an avant-folk guitarist of impeccable skill. Here, his peers expand the palette considerably.

Continue Reading