Spins
Rakim reviewed
Rakim The Archive: Live, Lost & Found (Koch) I could kick Koch Records in the balls for this CD. Four unreleased tracks, 18 live cuts, and no production notes.
Dolly Parton reviewed
Dolly Parton Backwoods Barbie (Dolly) Dolly Parton brims with so much vitality she resented being bounced from country radio and resorting to albums that earned critical acclaim. Radio and TV are where she wants to shine and if the major labels won’t help — well, you saw what she did to Dabney Coleman.
Winds Of Plague reviewed
Winds Of Plague Decimate The Weak (Century Media) “What the fuck is up motherfuckers? This is Winds Of Plague on that 2008 shit.” That is Winds Of Plague frontman Johnny Plague’s intro to “Reloaded.” Still want to hear the rest of the album?
Stax Vs. Motown & The Beatles
Various Artists Soulsville Sings Hitsville/Stax Does The Beatles (Stax) Stax always seemed an underdog American soul label despite its size and pivotal existence, and its modern-day revival under Concord Music Group’s tutelage is well deserved. But that doesn’t mean it recorded more gold than it knew what to do with.
Graveyard reviewed
Graveyard Graveyard (Tee Pee) One day Tee Pee and Kemado Records should merge. If they do, their stoner bands will comprise one hell of a compilation.
Sheryl Crow reviewed
Sheryl Crow Detours (A&M) A number of Sheryl Crows are at work on Detours, though they don’t all get along.
Antietam reviewed
Antietam Opus Mixtum (Carrot Top) Antietam’s latest album, like the Civil War battle from which the band take their name, gets a little sloppy.
The Kingston Trio reviewed
The Kingston Trio Once Upon A Time/Twice Upon A Time (Collectors’ Choice) As an historical reference, Collectors’ Choice’s simultaneous release of Once and Twice Upon A Time is a smidge overzealous. It’s two phases of folk heroes The Kingston Trio: early July, 1966 and late July . . . 1966.
CDs For You Lovers Out There
Beautiful Ballads & Love Songs (Legacy) For its seemingly annual contribution to the Valentine’s industry, Legacy compiles Columbia, RCA, and Arista recordings of Aretha Franklin, Frank Sinatra, Billie Holiday, Miles Davis, and Barry Manilow.
Sam Amidon reviewed
Sam Amidon All Is Well (Bedroom Community) It can’t be cheap to fly from New York to Iceland, much less record there. Maybe that’s why Sam Amidon (“Samidon” from here out) sounds so blue on All Is Well.
Intodown reviewed
Intodown Brave New World (self-released) Guitarist Michael Clark attempts to stuff instrumental progressive rock into his guitar’s gig bag, mixing all sorts of fusion, surf, alt-rock, and acid influences.
Rhymefest reviewed
Rhymefest Man In The Mirror mixtape (self-released free download) Who knows what kind of megalomaniacal festivities we’re in for with the 25th anniversary of Michael Jackson’s Thriller this year (there’s already a masturbatorial video tribute on his homepage) — maybe Neverland Ranch will transform into a spaceship and finally take Jacko home. Chicago rapper Rhymefest, […]
Wu-Tang reviewed
Wu-Tang Clan 8 Diagrams (Wu Music/Universal Motown) Fourteen years removed from their debut, Wu-Tang Clan’s fifth album was undercut upon release by protestations within the band about 8 Diagrams‘ direction and the false-alarm announcement it contained a cleared sample of The Beatles’ “While My Guitar Gently Weeps.”
Thomas Ian Nicholas reviewed
Thomas Ian Nicholas Without Warning (self-released) The fact Thomas Ian Nicholas played “Kevin Myers” in the American Pie movies shouldn’t lead you to disparage his music. (He was also in Radio Flyer, Halloween: Resurrection, and some “Party Of Five” episodes if you think you need extra help forming your opinion.) The songs themselves are ammo […]
Lupe Fiasco reviewed
Lupe Fiasco Lupe Fiasco’s The Cool (Atlantic) It would be hasty to call Lupe Fiasco’s The Cool a sophomore slump, yet the second album from the righteous hometown rhymer isn’t as sonically satisfying as his 2006 debut.
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