Spins
K’naan reviewed
K’naan The Dusty Foot Philosopher (Independent Media) MC and poet K’naan has no shortage of real-life struggles to speak on being a refugee of Mogadishu, Somalia, the place he calls “the most dangerous city in this universe.”
Power Quest reviewed
Power Quest Master Of Illusion (Napalm) When keyboardist Steve Williams and Steve Scott left Dragonheart in 2000, they surely did so thinking their new project, Power Quest, had just as much chance “making it” (this is power metal we’re talking about) as their old band did. Wrong.
The Sword reviewed
The Sword Gods Of The Earth (Kemado) If Gods Of The Earth can’t accomplish it, then The Sword might as well submit to the fact heavy metal’s community, especially the so-called “real metalheads,” are never going to accept them.
Neon Neon reviewed
Neon Neon Stainless Style (Lex) The project’s a joke ode to fallen entrepreneuer John DeLorean, but Neon Neon proves Super Furry Animals frontman Gruff Rhys is someone who, given the opportunity, can communicate clearly.
Mariah Carey reviewed
Mariah Carey E=MC2 (Island) Before Amy Winehouse was arrested, Britney Spears shaved, and Ashlee Simpson taped “SNL,” Mariah Carey fell apart on MTV and began one of the most spectacular celebrity flameouts the world had seen.
Century reviewed
Century Black Ocean (Prosthetic) Carson Slovak’s tightly wound Century manage to create space for themselves on their third album, though, in accordance with some prevailing scientific theories, that space is finite.
Jason Miles & DJ Logic reviewed
Jason Miles & DJ Logic Global Noize (Shanachie) Fusion/bop veteran Jason Miles and the man largely credited with funneling jazz into early hip-hop, DJ Logic, are joined by Meshell Ndegeocello, John Popper, Vernon Reid, Bernie Worrell, and more in a largely frustrating, bland world blend.
Leona Lewis reviewed
Leona Lewis Spirit (J/Syco) Is your business facing a profit squeeze? Is your market controlled by customers interested in lowest price only? Using the equation “Profit Margin = Promotion + Promotion + Promotion” you too can delude yourself into thinking you’ve outflanked a sagging industry.
Love reissued
Love Forever Changes (Collector’s Edition) (Rhino) One big difference between this version of Forever Changes and the last time Rhino reissued it is the event of Arthur Lee’s death.
Muse reviewed
Muse H.A.A.R.P. (Warner Bros.) The argument for live DVDs and against live CDs all in one snappy package.
Munk/Amelia reviewed
Munk Modest Among The Living (Waxboy) Amelia A Long, Lovely List Of Repairs (Adrenaline) After a high-speed collision with a drunk driver in 2003, Munk had to suppress the aftermath because his second album was arriving a month after the wreck. Amelia frontwoman Teisha Helgerson reportedly underwent cancer treatments. So Modest Among The Living and […]
Tift Merritt reviewed
Tift Merritt Another Country (Fantasy/Concord) As a country artist, Tift Merritt is unremarkable. That’s not an insult; it’s her career. You can go end-to-end on her third album and not once roll your eyes.
The Death Set reviewed
The Death Set Worldwide (Counter) If the Violent Femmes, Buzzcocks, and Faith No More have to meet somewhere, might as well be on Worldwide. Appearing: Friday, April 18th at Empty Bottle in Chicago.
American Music Club reviewed
American Music Club The Golden Age (Merge) The second American Music Club album since their 2004 revival shows what happens when someone wakes too early from their nap. Appearing: Saturday, April 12th at Schubas in Chicago.
The Grouch reviewed
The Grouch Show You The World (Legendary) If Murs is the star storyteller of California’s Living Legends hip-hop collective and Luckyiam the resident eccentric, then The Grouch is the crew’s laid-back everyman. With his umpteenth solo effort, this L.A.-based MC/producer is in his most meditative state and at times, most experimental.
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