Remembering Aretha Franklin 1942-2018
Aretha Franklin, who passed away on August 16th of pancreatic cancer at age 76, embodied her title of âQueen of Soulâ in a wholly spectacular way but that name didnât fully capture all that she was. Aretha wasnât just a gifted singer, and she wasnât just a master of soul singing. She sang every American musical genre–jazz, blues, gospel, rock, county, and soul. Once she interpreted a song through the lens of her incredible voice; the layers of American history; all the pain and glory and struggle poured through so that the song transcended category and became an extension of her unique spirit. Aretha was more than a musical genius; she was a musician who gave her soul to music, making every single note soulful. She is widely acknowledged as the greatest voice in the history of postwar pop music, but even that accolade misses the totality of her influence. Aretha Franklin was an icon who seamlessly represented Black power, feminist ideology and American innovation in one celebrated package.
Aretha Franklin grew up in a pivotal time and place for African American culture. She was the daughter of Rev. C.L Franklin, an influential minister and civil rights activist whose Detroit church, New Bethel Baptist, trained her in both performance and political awareness. As a young girl, Aretha witnessed the likes of Nat âKingâ Cole, Duke Ellington, Ella Fitzgerald and Dinah Washington visiting and performing at her house. Around the corner, Diana Ross and Smokey Robinson began singing for a fledgling label called Motown. By the time she was 12, Aretha was stunning her church with solos that wrenched them into a collective state of ecstasy. But the young musician was also absorbing the protests and teachings of Rev. Dr. Martin Luther King Jr., who often stayed with her family when he visited Detroit. Her father – dubbed the âpreacher with the golden voice,â recorded and broadcast his sermons that embraced Black liberation and empowerment. He sold thousands of albums nationwide, but his popularity was just a fraction of the fame that his prodigy daughter would achieve.
Aretha joined her fatherâs C.L Franklin Gospel Caravan and toured the country, singing and playing the piano. She had already mastered her majestic range, and now she perfected riffing and commanding the power of her voice by bending notes and sliding around a beat. These were skills that would propel her into a musician who could sing anything. She recorded several gospel songs, but after watching the example of Sam Cooke, she decided that she could keep her gospel roots and still sing for a secular audience. In 1960 at age 18 she signed with Columbia Records. The label tried to mold her into a jazz singer and although Aretha earned a few top 40 hits, including, notably, âToday I Sing The Blues,â it wasnât until she moved to Atlantic Records, a label that revelled in the blues and gospel roots that she was born into, that her true musical power was unleashed.
It was at Atlantic that Aretha recorded the seminal hits that would establish her as the voice of a generation and beyond. âI Never Loved A Man (The Way I Loved You),â âDr. Feelgood,â âChain of Foolsâ and âThinkâ were the songs that showcased Arethaâs exceptional talent and passion. But it was her 1967 cover of the Otis Redding hit, âRespect,â that became her signature and an anthem for both the Civil Rights and Womenâs Rights Movements. Aretha blasted out the lyrics calling for âa little respect when I get home.â It was a perfect example of her interpretive and arranging skills. She took a tune written by a man demanding his âpropsâ and turned it into a declaration for womenâs independence, all the while changing the tone, rhythm, and feeling of the original. She conquered the song so completely that Otis Redding relinquished his claim, declaring it Arethaâs song. It wouldnât be the last time that Arethaâs interpretive skills refashioned and wiped out any memory of the original. Aretha wasnât just a talented singer; she was a musician, songwriter, and arranger with unearthly instincts.
The following year, Aretha sang at Dr. Martin Luther King Jr.’s funeral. She sang the gospel classic âTake My Hand, My Precious Lord,â by Chicago gospel legend Rev. Thomas Dorsey. Aretha crushed the emotion of the lyrics, âtake my hand/ precious lord/lead me homeâ between the wailing and soaring crescendos of her vocals. With one song, she traversed the rocky landscape of American inequity and cultural freedom. She served as a witness for African American pain and salvation as well as becoming a crossover success. That Thomas Dorsey started his musical career as Georgia Tom, a Chicago blues pianist and composer who wrote songs like âTight Like That,â and âLevee Bound Bluesâ serves as a perfect symbol of the close ties between blues, gospel, pop music and American cultural representation.
Fittingly, Aretha was the first woman inducted into the Rock & Roll Hall of Fame; she earned 18 Grammy Awards and had more than 100 singles on the Billboard charts over her illustrious career. She sang at President Barack Obamaâs inauguration and the pre-inauguration for Presidents Bill Clinton and Jimmy Carter. Arethaâs voice and musicality have influenced generations and genres. There is no type of music, including opera, which has not benefited from her presence. She did not just sing; she transformed souls. Yes, she was the undisputed “Queen of Soul,” but she also was so much more.
– Rosalind Cummings-Yeates
Photo:Â arethafranklin.net
Category: Featured, Features, Sweet Home
