The English Beat & Romantics live!
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The English Beat and The Romantics wouldnât be the first names to spring to mind when considering the most popular acts of the late 1970âs and early 1980âs, but their recent double bill at House Of Blues provided evidence of why the era was so much fun. Both acts had their moments in the spotlight back in the day, and each pioneered a sub-genre of cutting-edge rock. The English Beat arrived at the dawn of Englandâs ska revival, while The Romantics gave power pop a short-lived boost into the Top 40.
The current version of The English Beat, with Dave Wakeling as the only original member, eased into its set at The House Of Blues with âRough Rider.â This amiable tune from I Just Canât Stop It set the tone for a pleasant if not overly energetic performance brimming with Caribbean rhythms. The audience didnât seem to mind, as it sang and danced throughout, and the group did occasionally turn up the heat on songs like âTwist & Crawlâ and âBest Friend.â
Wakeling was in fine voice; hitting the high notes on âI Confessâ and augmenting the beauty of the Andy Williams hit, âCanât Get Used To Losing Youâ with some inspired scat singing. Antonee First Class, carrying on the Toaster role once held by Ranking Roger, joined Wakeling on harmony vocals and delivered a series of quick and funny raps between songs. He frequently gave props to Wakeling and reaffirmed the bandâs mission of promoting racial harmony. Sax player Matt Morrish played a prominent role, especially on songs like âSave It For Later.â
There was also a rousing version of âTenderness,â a song Wakeling originally did with the post English Beat band General Public, and a hardy mix of dub and funk on The Staples Singersâ âIâll Take You There.â But it wasnât until the end of their 90-minute-plus set that Wakeling and company really cut loose; delivering high-speed versions of âRanking Full Stopâ and âMirror In The Bathroomâ fueled by Morrishâs playing. Instead of an encore, the band members lingered a while on stage, chatting and shaking hands with audience members.
The Romantics preceded The English Beat with an hour-long set that explored the harder edges of power pop. With three original members, along with drummer Brad Elvis, who has been on board since 2004, the Detroit-based band performed like a well-tuned sports car. Guitarist-vocalist Mike Skill laced the songs âStone Ponyâ and âTomboyâ with his energetic playing, and joined lead vocalist-guitarist Wally Palmar and bassist Rich Cole for some impeccable harmonies. Opening with âWhen I Look In Your Eyesâ from its self-titled debut, the closest the band came to slowing down was on the seductive hit single, âTalking In Your Sleep.â
Palmarâs strong vocals and spirited harmonica playing led the way on catchy songs like âRock You Upâ and a cover of The Kinksâ âSheâs Got Everything.â Elvis, who also performs with the Chicago-based indie rock band The Handcuffs, kicked off âFriday At The Hideout (Judy Be Mine)â with some furious drumming. The Romantics picked up speed as the set progressed, culminating with a revved up âWhat I Like About You.â As the audience danced and shouted âHey!â throughout, it was obvious that all those years of being played at weddings and on commercials has done little to diminish this classic power-pop songâs appeal.
— Terrence Flamm
Category: Live Reviews, Weekly
Wish I could’ve seen this show. I’m not a fan of HOB, though.