International Man Of Solidarity Tom Morello is not getting Audioslave back together. We want to get that out of the way first, because just about every other project you could associate him with is live.
Tomorrowland One of the synth-pop era’s most innovative, infectious, and flamboyant acts, Erasure has spanned two-and-a-half decades with constant rotation in the clubs, with the occasional, percolating radio smash.
Cat’s In The Cradle Horrors frontman Faris Badwan is eager to discuss Skying, his quintet’s sonically adventurous new third album – a record that’s just landed him squarely in the Top Five on the U.K. charts.
Catching up with artists playing Lollapalooza was tougher than we thought. Even with some acts stuck in town after their sets in order to play afterparties, we came up against a wishlist of musicians with schedules more hardwired than the festival’s own rigid set times.
Local Band Reviews Music-wise, Clara May‘s debut CD, Hush, is a bit all over the place – which is perhaps a reflection of its chief singer/songwriters being first and foremost a filmmaker/corporate executive/grad student and religious/equal-rights activist/author, respectively.
Nouveau Sheet Music Remember last month when I conducted an interview with myself? Pretty awesome, yeah? To defend myself against accusations of narcissism, though, my reasoning for that column needs clarification: The originally planned feature with Swedish band Ghost never materialized.
Q&A with Human League’s Susan Ann Sulley IE: What’s been going on during the decade between Human League albums? Susan Ann Sulley: The last album, Secrets, didn’t do so well because the record company [Papillon] went bankrupt when it came out, and we had to pick ourselves up from that.
Festival Tragedies The way they’re marketed – like vacations – it’s easy to forget that music festivals are as prone to fate’s whim as anything. While flash-mob gate-crashing at Lollapalooza didn’t become a national epidemic like the England riots, Cheap Trick‘s experience at the Ottawa (Canada) Bluesfest in July shockingly repeated itself twice more in […]
More Love From Nashville Last month we previewed a slew of new guitars from NAMM’s Nashville music trade show, where guitars seemed to be making a comeback as the instrument of choice. On the electronics side, accessories for the home-recording crowd – including iPad users – also took a majority of floor space. This month, […]
Dahl’s Basement Tapes Radio legend Steve Dahl started charging for his podcast last month. He was dumped from “free” radio in December of 2008, when CBS Radio bought out his WJMK-FM (105.9) contract (and continued to pay him). Two years ago, Dahl launched his podcast, joining a growing number of local media figures who have […]
Recording In Hi-Style With a voice that channels the spirit of Little Richard and James Brown, JD McPherson recorded his debut album, Signs & Signifiers, for Hi-Style Records, in the local label’s hometown studio.
Race, Rage, & The Blues Nobody expected a brief Alligator Records tribute to become a catalyst for examining blues-industry race relations. When the Chicago Reader ran a profile of founder Bruce Iglauer commemorating the 40th anniversary of the label, buried within the May 19th piece was a quote that inflamed the blues community:
Electronic music doesn’t have to be scary. But if you continue to avoid it while it advances at its rapid pace, you’ll be terrified in no time. Here’s our rock-leaning preview of North Coast festival, as well as upcoming gigs by Jim Ward, Plain White T’s, Keegan DeWitt, and Heart-Set Self Destruct.
We just noticed that two of the biggest local-music showcases, Mobfest and I Am Fest, are acronyms (Music Over Business and Independent Arts & Music). That’s not the only weirdness you’ll find in our preview containing I Am, The War On Drugs, the long-awaited Braid reunion, and Blah Blah Blah’s release show.
LMFAO are not the most terrible thing to happen to music, ever. Even if it seems that way. They’re in town this week, as are Canon Blue, Kyle Andrews, and Something Fierce.